SINGLES GOING STEADY: "NICE GIRLS" BY EYE TO EYE

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Eye To Eye

Imagine an early 80s New Wave song written by Todd Rundgren for Nicolette Larson or Rickie Lee Jones.  That pretty much describes "Nice Girls," a single by a duo called Eye To Eye.  The song actually did okay, reaching #37 on the Billboard Top 40.  Personally, I think it should have hit the Top 20 or possibly even the Top 10.    I can't stop listening to this song.   Keyboardist Julian Marshall sounds like a Donald Fagan clone—Fagan actually appears on the corresponding record, by the way.  Meanwhile, Deborah Berg's voice can make any man melt.  Beautiful.  

"Nice Girls" by Eye To Eye 

PENTHOUSE SERENADE BY NAT KING COLE

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Penthouse Serenade by Nat King Cole

First Nat King Cole was a renowned pianist.  Then he became a vocalist—a move, which for some reason pissed off both Jazz listeners and critics.  On 1953's Penthouse Serenade he became a pianist once again.  Look how gorgeous the album cover is! What you see is sort of what you get.  Are you "seeing" classy, tasteful, jazz standards played on piano? Bingo.  This album features guitarist John Collins, bassist Charlie Harris and drummer Bunny Shawker.  My personal favorite cut is "Laura."  It's not actually a standard per se, but it essentially became one after the success of the 1944 movie for which it was written for.  What else? Let's talk about the musicians once again.  John Collins can also be found on recordings by Art Tatum and Billie Holliday.   Charles Mingus was a huge fan of Charlie Harris's bass playing.  He can also be heard on some recordings by Dizzie Gillespie.  Lastly, Bunny Shawker was a reliable drummer who played with Louis Armstrong, Ella Fitzgerald and, like John Collins, Billie Holliday, as well.  Enjoy this one.  It's an underrated classic.  

P.S. Cole also sings on the album, beginning on the classic "Walking My Baby Back Home." 

Penthouse Serenade by Nat King Cole

Like this? Here's another classic piano album you'll love.  It's called Piano Reflections and it's Duke Ellington alone on piano.  No backing whatsoever.  Brilliant.  This album has followed me for about 6 years.  I want to say that the track order on the spotify playlist differs from that of the CD.  But since I'm positive that the track order on the CD differs from that of the original LP, it's essentially meaningless, right? Right?! Right.  You say you wanna listen? Right on! 

Piano Reflections by Duke Ellington

HERE'S A RARE ONE BY A BAND CALLED CROSS COUNTRY

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Cross Country

 

The trio called Cross Country was made up of three members from The Tokens, an early doo-wop band that scored a number one hit in 1962 with the most familiar version of "The Lion Sleeps Tonight."  The three singers later drop the doo-wop with 1973's Cross Country and instead opt for an autumn-inspired acoustic affair, which was released probably three or four years too late.  This is pure Woodstock and Summer of Love music inspired heavily—and I mean heavily—by Crosby, Stills & Nash, The Association, Simon & Garfunkel, The Beach Boys, Emitt Rhodes and maybe even a bit of Terry Cashman.  

That these guys were making music four or five years before any of those talents blossomed into mainstream popularity is irrelevant and it won't dissuade anyone from saying "this sounds like..." in a not-so positive way.  On one hand the band is easy to criticize, not simply because of the sound-alike factor, but also because the lyrics are pretty trite and include some humorously dated imagery.  On the weaker moments of Cross Country, there's something quite saccharine and superficial about both the music and the lyrics.  This is no more true than on songs like "Just A Thought" and "Things With Wings" which are both on side one.   

But side one of Cross Country has plenty of strong songs, too.  These include the brilliant title-track, a beautiful cover of Wilson Pickett's "In The Midnight Hour" and the gorgeous, majestic—but all too short—"Extended Wings," which seamlessly continues off of the previous track "Things With Wings."

The real treat is the near-perfect side two.  There's still a Crosby, Stills and Nash influence, but the material is stronger—strong enough for the band to carve out an original territory.  The Rubber Soul inspired "Tastes So Good To Me" could have been a top 40 hit.  "A Fall Song" is soft and warm, but it doesn't fall into the same lyrical pitfalls as some of the softer songs do on side one.  It is also gorgeous, both melodically and harmonically, and takes some unexpected turns with plenty of hidden details in the production to reward close listening.  The same goes with the rest of tracks which are equally ambitious and beautiful.  

The resulting album is maybe not as great as it could have been.  Nevertheless, what is there makes for a minor masterpiece.  I was happy taking this trip Cross Country.  Recommended.

Cross Country

BONUS TRACK: "The Lion Sleeps Tonight" by The Tokens