BAGS MEETS WES! BY MILT JACKSON AND WES MONTGOMERY

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Bags Meets Wes! by Milt Jackson and Wes Montgomery

It's pretty much guaranteed that whenever vibraphonist Milt "Bags" Jackson guests on a session there will be—no pun intended—good vibes all around.  You see what I did there? Seriously, he's kind of a genius.  His tasteful accompaniment complements much of Hard Bop Jazz in perfect and often quite surprising ways.  As a bandleader, however, he's always been sort of underappreciated.  Then again, the vibraphone is a very underappreciated instrument to begin with.  If you could only choose one jazz instrument to hear for the rest of your life, I'm sure most of us would go for the piano, trumpet or sax.  

No, as a leader, Bags doesn't have a Kind Of Blue like Miles Davis.  Nor does he have that Somethin' Else factor like Julian "Cannonball" Adderley does.  Rather, Milt Jackson's most famous albums are those in which he shares equal billing with another artist.  One notable example is Bags & Trane, which features—you guessed it—John Coltrane.  

Another great example is this one: Bags Meets Wes! 

One thing I have yet to mention is that Milt "Bags" Jackson is not just a good vibraphonist.  He's possibly the best in Jazz history.   What makes this session so excellent is that his collaborator Wes Montgomery is possibly the best guitarist in Jazz history.  But we're not finished.  Bags Meets Wes! also features Wynton Kelly, a pianist from the aforementioned Kind Of Blue, drummer Philly Joe Jones who was in Miles Davis's first quintet and bassist Sam Jones, who appears on Cannonball Adderley's Somethin' Else.  This is one hell of a lineup!

That this is one hell of a lineup shouldn't surprise anybody.  It's so typical to see amazing lineups like this in Jazz music.  But the players on Bags Meets Wes! all deliver.  In its own sweet way, this is a classic.  

Bags Meets Wes! by Milt Jackson and Wes Montgomery

And for your convenience:

Bags & Trane by Milt Jackson and John Coltrane

Kind Of Blue by Miles Davis

Somethin' Else by Cannonball Adderley

SINGLES GOING STEADY: "NICE GIRLS" BY EYE TO EYE

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Eye To Eye

Imagine an early 80s New Wave song written by Todd Rundgren for Nicolette Larson or Rickie Lee Jones.  That pretty much describes "Nice Girls," a single by a duo called Eye To Eye.  The song actually did okay, reaching #37 on the Billboard Top 40.  Personally, I think it should have hit the Top 20 or possibly even the Top 10.    I can't stop listening to this song.   Keyboardist Julian Marshall sounds like a Donald Fagan clone—Fagan actually appears on the corresponding record, by the way.  Meanwhile, Deborah Berg's voice can make any man melt.  Beautiful.  

"Nice Girls" by Eye To Eye 

PENTHOUSE SERENADE BY NAT KING COLE

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Penthouse Serenade by Nat King Cole

First Nat King Cole was a renowned pianist.  Then he became a vocalist—a move, which for some reason pissed off both Jazz listeners and critics.  On 1953's Penthouse Serenade he became a pianist once again.  Look how gorgeous the album cover is! What you see is sort of what you get.  Are you "seeing" classy, tasteful, jazz standards played on piano? Bingo.  This album features guitarist John Collins, bassist Charlie Harris and drummer Bunny Shawker.  My personal favorite cut is "Laura."  It's not actually a standard per se, but it essentially became one after the success of the 1944 movie for which it was written for.  What else? Let's talk about the musicians once again.  John Collins can also be found on recordings by Art Tatum and Billie Holliday.   Charles Mingus was a huge fan of Charlie Harris's bass playing.  He can also be heard on some recordings by Dizzie Gillespie.  Lastly, Bunny Shawker was a reliable drummer who played with Louis Armstrong, Ella Fitzgerald and, like John Collins, Billie Holliday, as well.  Enjoy this one.  It's an underrated classic.  

P.S. Cole also sings on the album, beginning on the classic "Walking My Baby Back Home." 

Penthouse Serenade by Nat King Cole

Like this? Here's another classic piano album you'll love.  It's called Piano Reflections and it's Duke Ellington alone on piano.  No backing whatsoever.  Brilliant.  This album has followed me for about 6 years.  I want to say that the track order on the spotify playlist differs from that of the CD.  But since I'm positive that the track order on the CD differs from that of the original LP, it's essentially meaningless, right? Right?! Right.  You say you wanna listen? Right on! 

Piano Reflections by Duke Ellington