HAVE A SURF ROCK CHRISTMAS WITH THE VENTURES CHRISTMAS ALBUM!

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The Ventures Christmas Album By The Ventures

Why spend your Christmas in the snow when you can spend it on the beach? If you're from the Midwest like me, it's sort of easier said than done.  If you can't afford a plane ticket, you may have to travel via music.  That's where The Ventures Christmas Album comes into play.  The Ventures are the premier surf rock band.  I'm sure you've heard them a million times.  Along with artists like Dick Dale & The Deltones and The Beach Boys, their influence on the genre is incalculable.  Need more context? Ask for "context" in your letter to Santa Claus.  If you've been naughty and that's not possible, you can just click here.

On The Ventures Christmas Album, The Ventures interpret 12 Christmas classics including "Jingle Bell(s) (rock,)" "Frosty The Snowman" and "We Wish You A Merry Christmas."  The interpretations are pretty cool—and pretty quintessential Ventures.  The only truly "Christmas-y" thing about them are sleigh bells, which were added later.  Otherwise, it's pretty much straight-up surf rock.  This makes it tolerable for holiday music cynics who still don't want to be seen as total Scrooges.  

Hey—Hey you! That's right—YOU.   Have yourself a good holiday season.  

The Ventures Christmas Album By The Ventures

SINGLES GOING STEADY: "DON'T HURT YOURSELF" BY TODD RUNDGREN

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Todd Rundgren (1948—)

Todd Rundgren is a genius songwriter, multi-instrumentalist and producer.   In the 70s, he had a couple gold records, a string of hit singles and critical acclaim as both a songwriter and as a producer for landmark albums such as Bat Out of Hell(Meatloaf.)    In comparison, Rundgren's 80s discography is often overlooked and it's a shame because he recorded some real treats back then.

Most of those treats are found on his 1982 record The Ever Popular Tortured Artist Effect.  The album contains one solid hit—"Bang The Drum All Day"—which has become famous for its use in sports arenas. If you ask me, however, the album's best song is an underrated number called "Don't Hurt Yourself." 

A breakup song, "Don't Hurt Yourself" addresses emotions not typically found in love songs.  In this case, the emotion is fear—fear that your ex is going to do physical harm to his or her body.  As Rundgren notes, "it's just not worth it...don't hurt yourself."  Lyrically, it's nothing brilliant.  At the same time, it doesn't require any extra attention from the listener to understand and digest the meaning of the words—no easy task.  In that regard, I give the lyrics extra credit. 

Musically, "Don't Hurt Yourself" features a contagiously catchy melody in both the verses and the chorus.  Both parts sound like they were written in five minutes.  Knowing how gifted Todd Rundgren is, it's probably true.  Like every other song in his catalog, the production is outstanding.  While it definitely has an 80s feel due to its use of synthesizers, the sound doesn't suffer from datedness as much as other songs from the time period.  Frankly, the synthesizer is used quite conservatively.  However dated you think the production is, the actual song—and Todd's blue-eyed soulful vocal—are terrific enough to look past any elements that haven't aged well.  

"Don't Hurt Yourself" by Todd Rundgren

And for history's sake...

"Bang The Drum All Day" by Todd Rundgren

INTERNATIONAL ACCIDENT BY TOXIC MELONS

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Toxic Melons has 543 fans on Facebook.  It's a deceptive number.  To a degree, I feel like we have an involuntary negative bias towards bands that have less than thousands and thousands of Facebook fans.  Here's an example: your buddy's band has 35,000 likes and is playing a show saturday night.  Should you see the opening band? Well, they only have 350 Facebook fans.  Because of that number, a lot of us wouldn't even listen to the songs on their profile. The way I see it is, nobody pays attention until thousands of people have paid attention.  It's a strange sort of paradox.  It's part of the reason why so many artists become frustrated.  And part of the reason many give up.  

I'll say it again: Toxic Melons has 543 fans on Facebook.  It's a deceptive number.  How?

1. Their music has been featured on Coldplay's website.

2. DJ Jazzy Jeff ("Parent's Just Don't Understand") has personally endorsed one of their songs.

Toxic Melons is a "band" with a non-permanent, revolving lineup.  It is the brainchild of a 26 year old, power pop fanatic from the UK named Pablo Melons.  Melons, whose real name is Paul Fairbairn, is a producer, arranger and songwriter with a wild aural imagination.  Unless your name is Amanda Palmer, no undiscovered act wants to "make it" as much as Fairbairn.  If his music falls on deaf ears, he can have the satisfaction of knowing he's done everything he could to gain a following.   He spends night and day marketing Toxic Melons.  According to Fairbairn, he sends his music to  "everyone you can think of...not everyone replies, but some do."

One person who did reply was one of Fairbairn's biggest heroes, a multi-instrumentalist named Eric Dover.  Dover has recorded with everyone from Meatloaf to Alice Cooper, but he is most beloved as the guitarist for Jellyfish.  A now defunct power pop cult favorite, Jellyfish has influenced a variety of established musicians including  Ben Folds, members of Fastball ("The Way") and "Call You Maybe" co-writer Josh Ramsay.  Fairbairn is probably the biggest—and youngest—Jellyfish super fan alive.  After building an online relationship with Eric Dover, he was able to convince the former Jellyfish guitarist to record on Toxic Melons' second recording, an EP called International Accident.  

For someone who creates his sound with a virtual band of members from all over the world, you'd be surprised just how sophisticated the sound and arrangements are on International Accident.  Even if the music doesn't match your taste, you can't help but be impressed by the amount of details, the plethora of "ooo's" and  "ahhh's"  on the vocals and the varied instrumentation, which includes everything from organs to guitars to god-knows-what.  Fairbairn has an innate ability to translate what's in his head onto record.  If he doesn't make it with Toxic Melons, the EP International Accident should indicate enough credibility for him to land gigs producing for other bands.  As a songwriter, he sometimes lets his imagination go too far, opting for a lot of notes and jarring, zig-zaggy interludes.  His music could probably benefit from a "less is more" approach.  That said, there's enough examples of his strong melodic abilities on songs like "Ode To Procrastination" and "Alex's Song" to make one believe Fairbairn only needs more discipline and that there are volcanoes of potential inside him.  Make no mistake, they're itching to erupt.  

Click this and get ready to be International Accidented.