Music Of The Near-Death Experience

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Celestial Soul Portrait by Iasos

In 1978, the Developmental Psychology department at Plymouth State University performed a series of studies on 60 patients who had survived near-death experiences. The goal, Professor Joel D. Funk has said, was to determine which piece of music best resembled what was occurring in people's heads in the moments when they thought they were going to die.  

For his experiment, Funk played a series of recordings and found that the most consistent piece chosen by his subjects was "The Angels of Comfort" by Iasos, an artist who was a pivotal figure in the development of new age music.

It was arguably an appropriate discovery, for Iasos was a product of a near-death experience.  Born in Greece in 1947, his father was a holocaust-survivor; a victim of unbelievable terror at Auschwitz. 

An accomplished musician, Iasos moved to San Francisco and became both blessed and cursed with a colorful creativity that manifested itself as an amazing, never-heard-before music, which occurred only in his head.  In a sensation he described as "wearing headphones but without the headphones," the "radio" inside his young mind was playing what Iasos described as "paradise music."

What's paradise music? According to Iasos, it was "heavenly music that exists on higher dimensions...paradise is a frequency range.  Boredom is low frequency.  Hatred is very low frequency.  Love is a nice, high frequency.  Paradise is a super-high frequency."

Released in 2013 by Numero Group, Celestial Soul Portrait is a 13-track compilation of Iasos's "super-high frequency" paradise music.  It's as beautiful and breathtaking as it is listless and unfocused. Listeners with narrower definitions of "good music" will probably think it's pretentious—and they may be right.  But if you have any "new age" in your musical palette—or even the slightest issue falling asleep at night—this collection is almost essential listening.

Singles Going Steady: "Jerry Was A Race Car Driver" by Primus

"Jerry Was A Race Car Driver" by Primus

Les Claypool and Primus destroy on this bizarre top 40 modern rock hit from 1991.  Released on Interscope, "Jerry Was A Race Car Driver" is both a terrific historical artifact of Claypool's innovative style on the bass guitar and a messy sonic masterpiece that recalls everyone from Minutemen to Frank Zappa to Tom Waits.  

Palo Congo by Sabu

Palo Congo by Sabu

Listening to this album is like attending a meeting of a secret society.  Or a cult.  Critics and record stores categorize it as latin jazz.  I wouldn't say that's not true.  But, I think it's more psychedelic than that classification would lead you to believe.  

Released by Blue Note in 1957, Palo Congo by Sabu Martinez contains none of the elements most commonly associated with psychedelic music.  There's no garage-y surf guitars or weird effect-filled instrumental passages.  What it does contain is a lot of drumming coated in a ton of reverb.  There are also vocals, whistles and other traditional instruments snuck in to keep the project from sounding entirely toneless.  There are songs included in this set—most notably the popular "El Cumbanchero." But a good 50% of what's here is pure manic, percussive energy without much melody at all and its ability to draw the listener into a trance is arguably the album's most impressive quality.

Palo Congo is an audacious debut from Martinez, a percussionist who had already developed a reputation as an expert sideman. Depending on your mood, it can serve as either a boost of caffeine or a sedative. It's rewarding to pay close attention to it, or to simply put it on as background music. In the huge catalog of Blue Note, this is truly a hidden treasure worth seeking out.