SINGLES GOING STEADY: "ALL I WANNA DO" BY SHERYL CROW

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Hottie...I mean, Sheryl Crow

Back in 1993, I was four-years old.  Here's some things I remember about being four:

1. The man my parents listened to was named James Taylor.

2. The woman my parents listened to was named Carly Simon.

3. James Taylor and Carly Simon were married just like my mom and dad.

4. Unlike my mom and dad, James Taylor and Carly Simon decided to get a divorce.

5. Divorce is when moms and dads decide they don't want to live together anymore.

6. Divorce is scary!

7. I wished no one ever told me what divorce was. 

8. I hoped my mom and dad would never get divorced.

9. The toys in happy meals weren't anywhere near as good the toys I'd get for my birthday.

10. The Cheesecake Factory wasn't anywhere near as good as McDonalds.

11. Anyone who thought Burger King was better than Mcdonalds was dumber than Barney.

12. Very few things were dumber than Barney.   

The thing I have intentionally saved to tell you last is that I had a crush on Sheryl Crow.  It's been 20 years and I still love the song "All I Wanna Do."

Heres a series of Fun-Facts: 

Fun Fact: I once asked my mom if she could call Sheryl Crow to see if "she wanted to have fun with me."

Fun Fact: Not much has changed. I'd still like to have fun with Sheryl Crow.

Fun Fact: I wouldn't realize this until years later, but Crow's sexy, street-smart lyrics, singing and melodies made her the Rickie Lee Jones of the 90's.

Fun Fact: The so-called "Dean of American Rock Critics," Robert Christgau rated the song's corresponding album a   — aka, "it might impress with consisting craft or an arresting track or two.  Then it won't."

Fun Fact: If Robert Christgau knew jack shit about playing music or writing songs, he would be a (multi) Grammy-Award winning, multi-platinum artist like Sheryl Crow instead of a not that clever, intentional over-simplifier like Robert Chritstgau. 

Fun Fact: Since Robert Christgau has never attempted to play music—unlike some other (better) critics—he only thinks he knows what he is talking about.  

Fun Fact: An incredibly successful and largely acclaimed singer/songwriter knows more about what's good in music than someone who writes for The Village Voice—or someone who owns and operates a blog called www.jamiedoesmusic.com.

Fun Fact: I would trust Sheryl Crow's opinion about the most avant-garde, least poppy music over Robert Christgau's opinion any day.  

Fun Fact: The public said—a whopping 7.6 million times—that they loved Sheryl Crow and her debut album  Tuesday Night Music Club.  That's 7.6 million people who were impressed, Mr. Christgau.

Fun Fact: The record-buying public always knows what they're talking about, because they are listening with their ears and not their brains.  

The best parts of "All I Wanna Do" are (in chronological order):

1. When she says "Hit It."

2. When she begins playing the addicting, funky guitar riff.

3. When she sings the verse and extends it for as long as possible—Truth: This is extremely Bob Dylan-esque. 

4. When the guitar slides, introducing the pre-chorus. 

5. When she sings the chorus.

6. The drum fill before the song begins an outro (4:16)—nice work, Brian MacLeod.

7. The slower rhythm in the end combined with the heavenly 70's-style fender rhodes.

"All I Wanna Do" by Sheryl Crow

Like I said earlier, Sheryl Crow was the "Rickie Lee Jones Of The 90's"

ONCE IN A BLUE MOON BY FRANKIE MILLER (AKA IF YOU LIKE RAY LAMONTAGNE...)

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Once In A Blue Moon by Frankie Miller

Every now and then I'll listen to a great blue-eyed soul singer named Ray LaMontagne.  His voice and songwriting is often compared to that of Van Morrison and Joe Cocker.  Fair comparison.  But, LaMontagne's real 70s equivalent is Frankie Miller.  Literally, there are times where their voices are indistinguishable from one another. And on 1972's Once In A Blue Moon, Miller's has provided more than a few songs which are on par—if not better than—LaMontagne's best known songs "Trouble," "For The Summer" and "You Are The Best Thing."  These include "You Don't Need To Laugh," "It's All Over," "After All (Live My Life)," and, most notably, "I Can't Change It," which isn't a hit song, but is a somewhat remarkable tune that is beautifully sung and strummed on Acoustic Guitar.  On the other hand, one of the album's least impressive tracks is Miller's restrained and boring cover of Bob Dylan's "Just Like Tom Thumb's Blues." 

On Once In A Blue Moon, Miller is tastefully backed my the members of Britain's Brinsley Schwarz (Known for their classic "What's So Funny 'Bout Peace, Love and Understanding"), whose bassist/vocalist Nick Lowe would receive both great recognition—and a great following—for hits like "Cruel To Be Kind" and albums like Labour of Lust and Pure Pop For Now People (aka Jesus Of Cool.)

If you're a singer/songwriter kinda guy or gal, you won't get attached to Once In A Blue Moon like you will Sweet Baby James or Tapestry.  But then again, no one's ever claimed that Once In A Blue Moon is an innovative classic of its time and genre.  But, a small amount of people have championed it as an impressive and very good album.     

They are right.

Once In A Blue Moon by Frankie Miller

And in case you don't know Ray LaMontagne...

And if you don't know Brinsley Schwarz or Nick Lowe...you're welcome...

A TRIBUTE TO HUGH MCCRACKEN AND PHIL RAMONE

Hugh McCracken

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Phil Ramone 

Studio guitarist, Hugh McCracken and producer/engineer, Phil Ramone, were two legends who often worked together to create wonderful and amazing music.   The only reason I even know who they are is because so many of my favorite albums were made in part because of them.  Many of these albums are internationally recognized as some of the best albums of all time.  On March 29th and March 30th, McCracken and Ramone both passed away.  They can never be replaced.

I'm not sure I would have ever created a blog like this without guys like Hugh McCracken and Phil Ramone. Part of what I'm trying to do on www.jamiedoesmusic.com is acknowledge some of the amazing things that happen behind the scenes in music and the people who are responsible for them.  Make no mistake, Hugh and Phil were some of the most prominent figures in music.  On a personal level, I'm sure my familiarity with these pioneers assisted me in making my first inroads as a music business professional.  Specifically, I think Phil Ramone is listed as someone I admire in one of the first cover letters I sent out.  

Here are some albums in which both McCracken and Ramone appear together.

The Stranger by Billy Joel

Still Crazy After All These Years by Paul Simon

Other albums that feature Hugh McCracken's guitar playing include:

Ram by Paul McCartney

Gaucho by Steely Dan 

The Diary of Alicia Keys

Other albums that were recorded, produced or engineered by Phil Ramone include:

Getz/Gilberto by Stan Getz and Joao Gilberto 

Paul Simon 

There Goes Rhymin' Simon by Paul Simon

Phoebe Snow

Welcome To My Nightmare by Alice Cooper 

Blood On The Tracks by Bob Dylan