POOR RANDY COLEMAN

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Randy Coleman

A Singer/Songwriter like Randy Coleman is in one of the most difficult positions in music these days.  He can sing, play guitar and write songs.  However, he's not in the same league as John Mayer, Jason Mraz or Ryan Tedder who he will most likely be compared to.  Unless you're a Nashville guy, there doesn't seem to be a lot of room on the radio for perfectly competent and talented artists like Coleman.  His music is superbly radio friendly, but he won't receive any credit because he lacks a "hip" factor in his artistry.  In a sense, he's almost punished because he's more similar to artists like Vertical Horizon or Shawn Mullins rather than an imitation-Bob Dylan or a flower-child straight out of a Laurel Canyon time machine.  He isn't Edward Sharpe and there is no Magnetic Zeros behind him.  There's no retro kitsch.  Part of the problem is that we tend to think of artists like Coleman as relatively ordinary.  Granted, in the spectrum of commercial radio-friendly music, he is.  But, in comparison to the rest of us, he certainly isn't.  Having lived in the "Live Music Capitol of The World" in Austin, TX, I never saw a single local artist who was as good—and was as much of "the real deal"—as Randy Coleman.  

The California native was already "discovered" once in his career.  For several years in the early 2000s, he was the leader of an outfit called "Zoo Story," which featured former Tonic drummer Kevin Shepard on drums.  The band was signed to 333 Records, a Universal Music imprint.  It seemed to be their ticket in but, unfortunately, it turned out to be Zoo Story's only trophy.  Universal closed 333 Records and—poof!—Through no fault of their own, the band was sucked into a black hole.  

Coleman continued on with a solo career releasing Last Salutation independantly in 2006.  While the album failed to find an audience, the title track appeared on an episdode of Scrubs, giving this artist his first—and only—sweet pat on the back.  I discovered Randy Coleman a few years ago when we were both competing in a songwriting contest  on the now defunct garageband.com.  I feel compelled to write this article, because I have the utmost respect for very talented people.  Randy Coleman is very talented and if that sort of thing means more to you than trendiness, I recommend you check him out.  

Last Salutation by Randy Coleman

IT'S CHRISTMAS TIME BY CHRIS TRAPPER

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It's Christmas Time by Chris Trapper

Christmas albums are fairly common because they're often A+ investments.  "Jingle Bells," "Joy To The World" and "Deck The Halls" are among several songs, which have slipped into the public domain and can be recorded without loads of red tape getting in the way.  If the artist's arrangement of a christmas standard becomes a hit in December 2012, it will likely receive a fair amount of airplay in December 2013, 2014, etc.  It shouldn't surprise anyone that In the last two years, some of the biggest selling albums have been holiday albums (see albums by Justin Bieber and Michael Buble).  

What makes Chris Trapper's It's Christmas Time so special is that it's not a lazy-sounding collection of christmas standards.  Rather, it's 10 original—and amazingly charming—Christmas songs.  Trapper is the perfect artist to take on such a task.  He possesses a smooth, professional singing voice, a gift for melody and an even greater gift for writing hilariously endearing lyrics.  You may be able to wipe the egg nog mustache off your upper lip, but you won't be able to wipe the smile off your face when you listen to It's Christmas Time.  It's as much of a treat as a Christmas cookie.  

It's Christmas Time is an impressively varied album.  The title track is a ukulele-infused, romantic ballad that pretty much says "kiss me under the mistletoe" without actually saying it.  It captures the familial Christmas spirt perfectly.  In contrast, "Black and Blue Christmas" is almost like a sing-song version of the movie Jingle All The Way.  There are busy banjos, sleigh bells and a brass section that swings around like a shopping cart zooming through the aisles.  This, combined, with frustrated lyrics like "Old lady, get out of my way" and "it won't be Christmas this year if we don't turn black and blue," makes it the funniest Christmas song since "I Saw Mommy Kissing Santa Claus."  No joke, it's laugh out loud funny.  Trapper occasionally loses focus on tracks like "California Holiday," a song, which he should have saved for an every-day pop rock record.  However, most of the time, he's right-on.  Trapper ends the album with the understated, impressionistic "Mystified."  It's a simple, atmospheric piano piece, which could have appeared on Brian Eno's  Music For Airports .  In a way, it says "joking aside, have a Merry Christmas."  This is a lovely record and Trapper deserves a stocking full of thumbs up for this effort.  

It's Christmas Time by Chris Trapper

10 UNDERRATED GUITAR SOLOS

Because everybody knows the guitar solos for "Sweet Child O' Mine" and "Freebird"...

10/9. "Love Of The Common Man" and "I Saw The Light" by Todd Rundgren

8." I Feel The Earth Move" by Carole King (Solo by Danny Kortchmar)

7. "Bad Sneakers" by Steely Dan (Solo by Walter Becker)

6. "Clap Hands" by Tom Waits (Solo: Marc Ribot)

5/4. "Prove It All Night" and "Kitty's Back" by Bruce Springsteen

3. "Too Many People" by Paul and Linda McCartney (Solo by Hugh McCracken)

2. "I Am The Cosmos" by Chris Bell

1. Speakin' Out by Neil Young (Solo by Nils Lofgren)